Genre: Female Vocalist-Dance-Electronic
Label: Dorado / Quango Music Group Visit Web Site
Tracks
1. Crush 2. Quicksand 3. Urban Angel 4. Rest Easy 5. No One Else 6. Faith 7. Waking Dream 8. Circles 9. Right Here 10. Red 11. Colorblind 12. Not The End 13. Sanckens Doll 14. Quicksand (Thievery Corporation Remix) (Bonus Track)
Natalie Walker Urban Angel
When I read about the song of the siren luring seafaring men to their doom in classic literature, I imagine singing like that of Natalie Walker. Her vocalization is gentle and sweet to the ears, and the only word I can find to describe her voice is dulcet. Her lyrics are personal and exhibit an emotional and spiritual maturity, and she has the uncanny ability to team up with gifted musician/composers. For her debut solo album, Natalie Walker has pulled all of these elements together and given us Urban Angel.
To classify Urban Angel as a solo album is almost a prevarication because, although Natalie pours herself into every song, the contributions of Stuhr members Dan Chen and Nate Greenberg and their friends are significant. The compositions are sensual and melodic, like on “Crush.” Natalie sings about giving her innocence to her first lover, inviting us to bare witness, to vicariously participate in this intimate moment as she breathily sings the words “This is strong and sweet / I wanna keep it going / stop the noise in our heads / just take it in.” The slow drumbeat with sustained electric guitar and the plucked sound of harp strings layered with xylophone, keyboard and acoustic guitar create an ethereal, almost dreamlike sound that can best be described as euphonic. Natalie lays before her lover the proposition that she will follow him anywhere he takes her, and then she takes a bite from the apple.
If “Crush” is about that fleeting moment of lovers’ bliss, “Quicksand” is surely about the heartache and shame that follow. Here, the Romeo who inspired so much desire in the previous song has abandoned Natalie. The song begins with a solemn organ, and then progresses into a multi layered dirge as she laments, “I must have been so stupid / I must have been so out of touch / He must have been so clever / convincing me that this was really love.” Natalie sings as she mourns her loss of innocence with a wholesome vulnerability. She fights her way through the haze between childhood and womanhood and declares, “I’ll rise from the sorrow / Let the sun shine on my face.” We can all take comfort from her newfound perspective.
“Rest Easy” is a plucky little number with mechanical sounding intonations like you’d hear if R2D2 were converted into a steel drum. It is an example of the finest aspect of Caribbean influenced, 80’s Euro-pop over today’s popular dance music. The rhythm is steady as the electronic melodies build upon one another and joyously ring out. Natalie’s singing is warm and embracing as she beckons us to rest easy in the harmony of our heartbeats, and settle into the refuge of each other’s eyes.
Urban Angel is a mellow album. The rhythms throughout are sedated, and most of the color comes from the electronic melodies and from Natalie’s singing and lyrics, which are alternately sexy, introspective and sensory. The songs are constructed in such a way that it almost seems like all involved parties are working from a secret formula. This album is most certainly designed to sell and has every element of commercial appeal, and I imagine that once she hits the Late Night Variety Show circuit with “Crush,” Natalie Walker will be the next big thing.
